Spring has sprung on Silvermere.

Sweet Violets. Watercolour. 350 x 250 mm

Looking at these pictures you could be anywhere in the world when spring arrives. I am sure most of you recognize the beautiful heralds of the season; the daffodils, the violets and the willow! But this is the karoo, and though the rains have yet to arrive and set the veld alive with colour, we celebrate the newness of the season in our garden as it comes to life with joy. God is good and our lives are made new each day by His wondrous Grace!

Daffodils. 250 x 350 mm watercolour

Willow, Willow o’er the pond,

Water lilies and draping frond;

Darting fish and rushes grow,

Brushed by the whispering winds that blow.

But times do change, and the past it flees,

The pond is gone, but not the trees;

The birds will come and nest again,

The winds will blow and then the rain.

The Willows stand and the grass will run,

The spring will go and the summer come!

( My willow poem)

Draping Willow. Watercolour sketch. 210 x 290 mm.

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The Feathered Fruit-eaters in our Garden.

Acacia Pied Barbet, Redeyed Bulbul & Cape White-eyes. Watercolour.325 x 505mm.

Some time ago I posted a blog featuring the seed-eaters under the title; ‘Feeding the Birds’.  I really love the birds, so I continue to photograph them in and around our garden. Those that come to the bird table outside my studio window are a wonderful and colourful distraction. We feed them seeds and crushed maize, bread crusts, grated cheese, dry cooked maize porridge called, ‘Umphokoqo’, and fruit. The oranges have to be attached with wire to keep them from falling onto the ground below.

Crested Barbet. Watercolour & Gouache 470 x 285 mm.

As it is the fruit-salad season at the moment, with oranges and paw-paws in abundance, I have kept the fruit–eating birds happy with all the fruit-skins that they enjoy. The first birds that come for them include; the Crested and Pied Barbets, the Mousebirds, The Red-eyed Bulbuls and many more. The Crested Barbet is so bright and cheerful while all around winter hues still drape the garden in sombre tones of ochre and grey, and the seed-eating weavers have yet to clothe themselves in their bright breeding plumage of red and yellow. Therefore I decided to make a small study of some of these fruit-eaters. The bright and dainty Cape White-eyes are my favourites, so I chose two compositions with them.

Mousebirds with Oranges. Watercolour. 385 x 265 mm.

Cape White-eyes on the Grapevine. Watercolour & Gouache. 290 x 420 mm.

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A Pastoral Study of Winter Colours

Paardelaagte Farm Landscape. Watercolour 340 x 530 mm.

On the 12th July we travelled to a neighbouring farm, Cyferfontein to buy mealies for feeding our sheep. There were some wonderful scenes around the farm that I photographed, and more on our way home along part of the Orange River as far as the farm Paardelaagte. I returned home fuelled with inspiration for painting a set of the beautiful scenery we encountered. I am not really sure if I am finished, as there are  a couple more scenes that still tempt me; but I thought it an appropriate time to post these six pictures anyway.

Cyferfontein Farm Studies. Watercolour. 2 x 350 x 250 mm.

While painting I listened to many wonderful sermons from a host of enlightened and eloquent preachers, and I am delighted to have access to their insights into Scripture, and the Holy Word of God. Many of the sermons are available to download free of charge. Here are a few of the links: R.C.Sproul, John MacArthur, David Pawson, Free Audio Sermons.

View of Kramberg from Aylesby. Watercolour. 350 x 500 mm.

Cyferfontein Jerseys. Watercolour. 350 x 250 mm

Winter Pasture. watercolour. 250 x 350 mm.

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Plein-Air Painting versus Studio-Studies

Excelsior Blue Gums. Watercolour, 270 x 380 mm.

Painting outdoors is always great  fun! It should never be viewed too seriously. It forces me to loosen up and break free from my usual painting processes. Usually, on these occasions,  the light changes rapidly or the rain threatens, the insects or the wind become tiresome, or there just isn’t the time to perfect a painting outside. So the trick is to make a start outside and when it becomes necessary to leave and return to the studio, take photos and then finish it off in the more comfortable surroundings of the studio.  Some pictures aren’t meant to be anything other than enjoyable outdoor recreation, or an exercises in preparation for studio compositions of the same subject. The atmosphere and surroundings have a unique influence on how we interpret what we see. Painting plein-air is undoubtedly a very valuable and pleasurable pursuit !

Fountain Poplar Grove. watercolour. 380 x 270 mm









View with Fountain Poplar. watercolour. 380 x 270 mm.




John & Sue Plein-air painting. April 2010. The Fountain, Silvermere.

John and Sue wanted to go and paint out in the veld on two recent visits to Silvermere, so we had some enjoyable outdoor painting excursions. Some were finished on site and others in the studio. On one occasion when it was cold and windy outdoors, we sat in the studio and chose a photo taken recently in the vicinity of the farmyard. There is no need to give up just because the weather is bad. This set of colour sketches resulted from those two visits. The one with the gate was painted entirely indoors, on a windy afternoon. continue reading

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A Trio of Orders

Styger Farm House. 7may10. 700 x 500mm watercolour.

It has been impossible to link these three paintings with a theme, other than that they are the latest big orders that have challenged me since the last post was written. All are completed and have gone off to the respective clients. I did not schedule an exhibition this year, so have been blessed by these 3 good orders. How bountiful is the Lord in taking care of our needs!

Karoo landscape with Guinea Fowl, 21may10. Watercolour, 700 x 500mm.

Eighteen Animals Required. 23june10. Watercolour, 700 x 500mm.




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